Saturday, August 2, 2014

The flânerie and potlatches of the Itinerant Illustrator

photo: Mo Riza

Seeking minds or states of being is a response, a responsibility, which the illustrator as an itinerant soul simply must embrace to visualize meaning to texts or stand alone visual narratives. The objective of illustrators is to conveys emphatic meanings or visual corollaries. Traversing as they do many spaces, illustrators violate, invigorate, celebrate while dynamically mediating to shape paths that often intercede to create visual entities.

One must make an association with the flânerie of the flâneur walking the streets nonchalantly taking in the sights, the movement and pulse of the city. That aimlessness apparently frees the mind to associate. Being itinerant is not being vagrant. Rather it’s about making conjectures, and associations. An uprooted rootedness. I see the illustrator, as very much a nomad of the mind, a pilgrim, an outsider looking in before appearing as an insider delving into a thought, teasing at form, seeking Ephphata, from the Aramaic — to be opened.

Jeremiah 6:16: Stand at the cross roads, and look, and ask for the ancient paths, where the good way lies; and walk in it, and find rest for your souls.

A pilgrim then? What sustains? The sustenance is as Whiman put it “the tasteless water of souls.”

My artistic labor spans many styles, approaches, binaries, subjects, and movements as in force. This perennial juggling of potlatches, is a giving and gaining from Indic forms, and thought; lines from Kana and more forms of Shodo; seeking depth in language, and reasoning; a vocabulary of mark making from the more severe to the agitated; of employing the illogical to create logical devices, metaphors, characters and characterizations — all towards formulating possibilities and realities. Its all about dynamics and the answering is in the nature of the realizations that come when what is paramount is to give meaning. 


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